Statement

I work on what persists when places come undone.

My paintings emerge from spaces under tension:
broken architectures, unstable thresholds, interiors where the outside seeps in like an intrusion.
I look for forms that reveal fractures, shifts-zones where memory still clings.

For me, painting is a way to reconfigure these spaces:
to bend them, overturn them, strip them of their certainties.
It is not about depicting a place, but about opening a mental field.

My technique follows a slow tradition inherited from the Venetians.
build, let dry, return.
Each layer is an excavation.

What matters to me is the memorial impact:
a space that persists even as the image recedes.